Moje typy, albumowe:
On the Sunday of Life
I Can See Your House from Here
Mekanik Destruktiw Kommandoh
Hot Buttered Soul
Na żywo u Pstrąga
Gentlemen Take Polaroids
I Poo Poo On Your Juju
And Then Nothing Turned Itself Inside-Out
Sorry Music Polska
Kid A
Before Driving to the Chapel We Took Coffee With Rick and Jennifer Reed
Is A Woman
Zapłacono
A River Ain’t Too Much to Love
The Queen Is Dead
Music for 18 Musicians
Music for Airports
Music for Real Airports
Mingus Ah Um
Ostateczny krach systemu korporacji
Trzy Korony (*patriotyzm lokalny)
If I Could Only Remember My Name
The Shape of Jazz to Come
This Is a Long Drive for Someone with Nothing to Think About
The Least We Can Do Is Wave to Each Other
I ścieżkowe:
Political Song for Michael Jackson to Sing
No News Is Good News
How I Spent My Time at the Hospital
The Shoes of the Fisherman’s Wife Are Some Jive-Ass Slippers
All the Things You Could Be Right Now if Sigmund Freud’s Wife Were Your Mother
A Lot Of People Tell Me I Have A Fake British Accent
I’ve Just Destroyed the World
The Hymn for the Postal Service
To pierwsze to Porcupine Tree? To może i moje typy, albumowe: Good Time for A Bad Attitude i z nowych: Hardcore Will Never Die, But You will, a ze ścieżkowych: Jag Hatar Att Jag Älskar Dig Och Jag Älskar Dig Så Mycket Att Jag Hatar Mig
Tak, znakomicie psychodeliczny tytuł, zresztą podobnie jak nazwy utworów („Message from a Self-Destructing Turnip”, „And the Swallows Dance Above the Sun”, „Begonia Seduction Scene”), okładka, no i sama muzyka.
„Hardcore Will Never Die, But You Will” też wpadło mi dziś w oko.
A Hellstroma cytujesz zapewne z pamięci? ;-)
Każdy ma swoich znajomych :-)
1.”I Became a Counselor So I Could Tell Rape Victims They Asked for It” – 0:43
2.”Easy E Got AIDS from Freddie Mercury” – 0:42
3.”I Like Drugs and Child Abuse” – 0:22
4.”Laughing While Leonard Peltier Gets Raped in Prison” – 0:41
5.”I Convinced You to Beat Your Wife on a Daily Basis” – 0:51
6.”I Sent Concentration Camp Footage to America’s Funniest Home Videos” – 0:34
7.”Rancid Sucks (And The Clash Sucked Too)” – 0:40
8.”I Paid J. Howell to Rape You” – 1:44
9.”I Pushed Your Wife in Front of the Subway” – 0:46
10.”Extreme Noise Terror Are Afraid of Us” – 0:29
11.”You Rollerblading Faggot” – 0:31
12.”I Sent a Thank You Card to the Guy Who Raped You” – 0:29
13.”I Lit Your Baby on Fire” – 1:56
14.”Body by Auschwitz” – 1:02
15.”I Intentionally Ran Over Your Dog” – 0:30
16.”Sweatshops Are Cool” – 0:47
17.”Women: Nature’s Punching Bag” – 0:57
18.”I Snuck a Retard into a Sperm Bank” – 0:30
19.”Your Kid Committed Suicide Because You Suck” – 1:02
20.”I Ate Your Horse” – 0:50
21.”Hitler Was a Sensitive Man” – 0:49
22.”You Robbed a Sperm Bank Because You’re a Cum Guzzling Fag” – 0:28
23.”I Made Your Kid Get AIDS So You Could Watch It Die” – 0:53
24.”I Fucked Your Wife” – 0:40
25.”Into the Oven” – 1:42
26.”I Gave NAMBLA Pictures of Your Kid” – 0:52
27.”The Only Reason Men Talk to You is Because They Want to Get Laid, You Stupid Fucking Cunt” – 1:02
28.”I Made Fun of You Because Your Kid Just Died” – 0:28
29.”Domestic Violence Is Really, Really, Really Funny” – 0:42
30.”Dictators Are Cool” – 0:35
31.”Deadbeat Dads Are Cool” – 0:43
32.”I’m Really Excited About the Upcoming David Buskin Concert” – 0:45
33.”Being Ignorant Is Awesome” – 1:03
34.”You’re Pregnant, So I Kicked You in the Stomach” – 0:28
35.”Chris Barnes Is a Pussy” – 1:04
36.”Tim Is Gay” – 1:30
37.”BT/A.C.” – 0:41
38.”I Sold Your Dog to a Chinese Restaurant” – 0:49
39.”I Got an Office Job for the Sole Purpose of Sexually Harassing Women” – 0:58
Niezły wynik jak na tak wąski filtr czasowy i – zgaduję po tematyce – gatunkowy.
(A teraz czekam na turystów z Google).
Z pamięci, 5 lat studiowania ojczystego języka Hakana zrobiło swoje… ;)
to są tytuły z tylko jednej płyty, a każda posiada równie imponujący zestaw :-) co do google, niezły pomysł, muszę wrzucić na bloga analizę pełnej dyskografii Anal Cunt :-)
Americans Own the Moon, They Bought It From the Germans, Who Won It During A Poker Game In World War II – Mushroom „Foxy Music”; The Man With a Shovel Is the Man I’m Going to Marry – To Kill A Petty Bourgeoisie „The Patron”; Swaboda ubiwat’ swajo sczastje [oraz Sczastje ubiwat’ swaju swabodu] – Posliednije Kanikuły EP1*; Explosions In the Sky – album Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever
*sorry, brak cyrylicy z lenistwa
mój faworyt:
This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That – Marnie Stern
Ten F. Apple jest chwytliwy:
„When the pawn hits the conflicts he thinks like a king
What he knows throws the blows when he goes to the fight
And he’ll win the whole thing 'fore he enters the ring
There’s no body to batter when your mind is your might
So when you go solo, you hold your own hand
And remember that depth is the greatest of heights
And if you know where you stand, then you know where to land
And if you fall it won’t matter, cuz you’ll know that you’re right”
W końcu anglistka!
Typy albumowe:
1) Burritos, Inspiration Point, Fork Balloon Sports, Cards in the Spokes, Automatic Biographies, Kites, Kung Fu, Trophies, Banana Peels We’ve Slipped On and Egg Shells We’ve Tippy Toed Over
2)Double Nickels On The Dime (patrz: okładka)
3)Ladies & Gentlemen, We’re Floating In Space
4)Taking drugs to make music to take drugs to
5)Emperor Tomato Ketchup
Przesłuchana z szacunku dla tytułu:
Martha Wainwright „I know you’re married but i’ve got feelings too”.
Ostatnie odkrycie w kategorii tytuł/długość:
Crash and the Boys – I’m So Sad, So Very, Very Sad (0:13)
Crash and the Boys – We Hate You Please Die (0:58)
Taak, Martha wygrała tym tytułem sporo publicystyki.
A Mateuszowa jedynka przypomniała mi o innym klasyku: „Andrew Bird & The Mysterious Production Of Eggs”.
W nowym „Uncut” mają wywiad z Brianem Eno, i zagadują oczywiście o „Music for Airports”:
„I have to say, I think Music for Airtports was an absolutely brilliant title! I could have called that record anything. But that title in its day was sort of surprising. Because it made people think that music was for something these days.
I remember one of the early reviews saying: no beat, no rhythm, no melody. As a criticism. And I thought: I’m quite proud of that! I’ve managed to leave out nearly everything!”